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The Voodoo Saloon

"Living in a veritable cathedral of erotic misery."

Recent grad, loves art, literature, theory, pulp, and all manner of things.

Sep 16th at 2PM / via: bookporn / op: santiagocaruso / 6,948 notes

by santiagocaruso:

Santiago Caruso : “Pan’s Labyrinth II" / Ink and scratching over paper /  24,5 x 34,5 cm / 2013

Unpublished cover of “Pan’s Labyrinth” a book by BFI Film Classics & Palgrave Macmillan. 


momentaneamentefuoriditesta:

Uma Thurman by Ellen Von Unwerth

momentaneamentefuoriditesta:

Uma Thurman by Ellen Von Unwerth


Oh My Love | Kat Edmonson


velvetrunway:

Tom Ford // SS 2015
Posted by arcaneist

velvetrunway:

Tom Ford // SS 2015

Posted by arcaneist


What You Crave vs What You Need

Sep 16th at 10AM / via: idcetc / op: ep0nine / 64,150 notes

Sep 16th at 10AM / via: pallasatenea / op: voguelovesme / 1,683 notes
voguelovesme:

Daga Ziober & Holly Rose by Ben Hassett for Vogue Russia Dec 2013

voguelovesme:

Daga Ziober & Holly Rose by Ben Hassett for Vogue Russia Dec 2013


theimpossiblecool:

Tim Roth by Glen Luchford.

theimpossiblecool:

Tim Roth by Glen Luchford.


Valente Celle Tomb, 1893, The Staglieno Cemetery, Genoa - Italy Sculptor: Giulio Monteverde (Bistagno, Alessandria, 1837 - Roma 1917) The funeral monument called “Eternal Drama” represents a real Dans macabre, the futile attempt of life to escape the inevitable embrace of death. The sculptor Giulio Monteverde underlines, in this sculpture, the contrast between the sensuality of the beautiful young woman who personifies Life (caught in the moment in which , wearied by the vain struggle, she is about to surrender herself to the terrible spectre who has chosen her as his prey) and the rigid impassiveness of Death which seizes her.  http://grabschonheiten.diary.ru/p81440998.htm?oam

Sep 16th at 10AM / via: idcetc / op: ebonian / 3,605 notes

septemberwildflowers:

art meme: 3/? colors: rose

Frederic Leighton - Elijah in the Wilderness; Alphonse Mucha - Rose; John Singer-Sargent - Mrs Carl Meyer and her ChildrenFrançois-Hubert Drouais - Portrait de Femme; François-Hubert Drouais - Madame du BarryAnton Raphael Mengs - Maria Luisa of Parma; Edgar Degas - The Pink Dancer; Edward Robert Hughes - Juliette Gordon Low; Gustave Jean Jaquet - Portrait of a Lady


flyartproductions:

Icarus: And all the girls say I’m pretty fly—Daedalus: For a white guy.
Icarus and Daedalus (c. 1869), Frederic Leighton / Pretty Fly (For a White Guy), The Offspring

flyartproductions:

Icarus: And all the girls say I’m pretty fly—
Daedalus: For a white guy.

Icarus and Daedalus (c. 1869), Frederic Leighton / Pretty Fly (For a White Guy), The Offspring


thenewenlightenmentage:

The Women Who Mapped the Universe And Still Couldn’t Get Any Respect
In 1881, Edward Charles Pickering, director of the Harvard Observatory, had a problem: the volume of data coming into his observatory was exceeding his staff’s ability to analyze it. He also had doubts about his staff’s competence–especially that of his assistant, who Pickering dubbed inefficient at cataloging. So he did what any scientist of the latter 19th century would have done: he fired his male assistant and replaced him with his maid, Williamina Fleming. Fleming proved so adept at computing and copying that she would work at Harvard for 34 years–eventually managing a large staff of assistants.
So began an era in Harvard Observatory history where women—more than 80 during Pickering’s tenure, from 1877 to his death in 1919— worked for the director, computing and cataloging data. Some of these women would produce significant work on their own; some would even earn a certain level of fame among followers of female scientists. But the majority are remembered not individually but collectively, by the moniker Pickering’s Harem.
Continue Reading

thenewenlightenmentage:

The Women Who Mapped the Universe And Still Couldn’t Get Any Respect

In 1881, Edward Charles Pickering, director of the Harvard Observatory, had a problem: the volume of data coming into his observatory was exceeding his staff’s ability to analyze it. He also had doubts about his staff’s competence–especially that of his assistant, who Pickering dubbed inefficient at cataloging. So he did what any scientist of the latter 19th century would have done: he fired his male assistant and replaced him with his maid, Williamina Fleming. Fleming proved so adept at computing and copying that she would work at Harvard for 34 years–eventually managing a large staff of assistants.

So began an era in Harvard Observatory history where women—more than 80 during Pickering’s tenure, from 1877 to his death in 1919— worked for the director, computing and cataloging data. Some of these women would produce significant work on their own; some would even earn a certain level of fame among followers of female scientists. But the majority are remembered not individually but collectively, by the moniker Pickering’s Harem.

Continue Reading


"Be polite, be professional, but have a plan to kill everybody you meet."

Sep 16th at 7AM / via: xlocoparentis / op: agentzingari / 1,655 notes

ruineshumaines:

‘New York + London: A Collection of Double Exposures’ is an Instagram double exposure series by Daniella Zalcman.


Retro Cartridge Icons by Bunnelle